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Things (Lisel mueller) A good poem to share

 
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星子[ANNA]
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酷我!I made it!
酷我!I made it!


注册时间: 2004-06-05
帖子: 13192
来自: Toronto

帖子发表于: 星期六 一月 06, 2007 10:31 am    发表主题: Things (Lisel mueller) A good poem to share 引用并回复

Things
by Lisel Mueller

What happened is, we grew lonely
living among the things,
so we gave the clock a face,
the chair a back,
the table four stout legs
which will never suffer fatigue.

We fitted our shoes with tongues
as smooth as our own
and hung tongues inside bells
so we could listen
to their emotional language,

and because we loved graceful profiles
the pitcher received a lip,
the bottle a long, slender neck.

Even what was beyond us
was recast in our image;
we gave the country a heart,
the storm an eye,
the cave a mouth
so we could pass into safety.
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星子[ANNA]
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酷我!I made it!
酷我!I made it!


注册时间: 2004-06-05
帖子: 13192
来自: Toronto

帖子发表于: 星期六 一月 06, 2007 10:32 am    发表主题: 引用并回复

I love it because it is so true and so fresh.

The inside widsom and unique thought are very charming.
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星子[ANNA]
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酷我!I made it!
酷我!I made it!


注册时间: 2004-06-05
帖子: 13192
来自: Toronto

帖子发表于: 星期六 一月 06, 2007 10:33 am    发表主题: 引用并回复

Lisel Mueller

Lisel Mueller was born in Hamburg, Germany, in 1924. Her books of poetry include Alive Together: New & Selected Poems (Louisiana State University Press, 1996), which won the Pulitzer Prize; Learning to Play by Ear (1990); Waving from Shore (1989); Second Language (1986); The Need to Hold Still (1980), which received the National Book Award; Voices from the Forest (1977); The Private Life, which was the 1975 Lamont Poetry Selection; and Dependencies (1965). She has also published several volumes of translation, most recently Circe's Mountain by Marie Luise Kaschnitz (1990). Her honors include the Carl Sandburg Award and a National Endowment for the Arts fellowship. She lives in Lake Forest, Illinois.
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Lake[Lake]
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二品总督
(刚入二品,小心做人)
二品总督<BR>(刚入二品,小心做人)


注册时间: 2006-10-10
帖子: 1341
来自: Sky Blue Water

帖子发表于: 星期六 一月 06, 2007 12:21 pm    发表主题: 引用并回复

Theme and content aside, I also like the rhythms in this poem, and the build-up of each image.

After a few reads, I think I understand the question raised earlier, so I have it deleted.

Thanks.
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