酷我-北美枫

[anna]

http://www.contemporaryverse2.ca/en/interviews/excerpt/an-interview-with-carmine-starnino

Everyone says they want a healthy review culture, and everyone claims to mourn the loss of smart poetry punditry in general-interest magazines and newspapers. But then we turn — often viciously — against those who feel some responsibility toward building that culture. You don’t build a culture by publishing poetry. You don’t build a culture by handing a poet $75,000 every year. You don’t build a culture out of author websites, event pages, likes and retweets. You build a culture the hard way: debating which poems and poets matter, what’s good, what’s important
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Anna Yin

《爱的灯塔-星子安娜双语诗选》
<Nightlights> <Seven Nights with the Chinese Zodiac> ...

http://annapoetry.com

[[星子安娜]]

http://www.contemporaryverse2.ca/en/interviews/excerpt/an-interview-with-carmine-starnino

Everyone says they want a healthy review culture, and everyone claims to mourn the loss of smart poetry punditry in general-interest magazines and newspapers. But then we turn — often viciously — against those who feel some responsibility toward building that culture. You don’t build a culture by publishing poetry. You don’t build a culture by handing a poet $75,000 every year. You don’t build a culture out of author websites, event pages, likes and retweets. You build a culture the hard way: debating which poems and poets matter, what’s good, what’s important
_________________
---------------------

Anna Yin

《爱的灯塔-星子安娜双语诗选》
<Nightlights> <Seven Nights with the Chinese Zodiac> ...

http://annapoetry.com

[anna]

Michael Harris “Turning Out the Light” goes with me everywhere. I still get powerful rewards from A.M. Klein’s “The Rocking Chair.” Then there’s David Solway’s “Stones in Water,” Irving Layton’s “The Fertile Muck,” Milton Acorn’s “Elephants,” P.K. Page’s “The Stenographers,” Gwendolyn MacEwen’s “Dark Pines Under Water,” Eric Ormsby’s “Florida Bay,” Robyn Sarah’s “Splinter,” Peter Van Toorn’s “Dragonflies, Those Bluejays of the Water.” I love these poems for their sonic built-upness, lines and stanzas that click shut like little boxes, to echo Yeats. Yet there’s also witchery in the workmanship: they don’t let go of you.
_________________
---------------------

Anna Yin

《爱的灯塔-星子安娜双语诗选》
<Nightlights> <Seven Nights with the Chinese Zodiac> ...

http://annapoetry.com

[[星子安娜]]

Michael Harris “Turning Out the Light” goes with me everywhere. I still get powerful rewards from A.M. Klein’s “The Rocking Chair.” Then there’s David Solway’s “Stones in Water,” Irving Layton’s “The Fertile Muck,” Milton Acorn’s “Elephants,” P.K. Page’s “The Stenographers,” Gwendolyn MacEwen’s “Dark Pines Under Water,” Eric Ormsby’s “Florida Bay,” Robyn Sarah’s “Splinter,” Peter Van Toorn’s “Dragonflies, Those Bluejays of the Water.” I love these poems for their sonic built-upness, lines and stanzas that click shut like little boxes, to echo Yeats. Yet there’s also witchery in the workmanship: they don’t let go of you.
_________________
---------------------

Anna Yin

《爱的灯塔-星子安娜双语诗选》
<Nightlights> <Seven Nights with the Chinese Zodiac> ...

http://annapoetry.com